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March 14, 2007
The relative ungodliness of Hollywood
A historian in Toronto has criticized "300" for creating the appearance that King Xerxes is homosexual: 300's Persians are ahistorical monsters and freaks. Xerxes is eight feet tall, clad chiefly in body piercings and garishly made up, but not disfigured. No need - it is strongly implied Xerxes is homosexual which, in the moral universe of 300, qualifies him for special freakhood. This is ironic given that pederasty was an obligatory part of a Spartan's education. This was a frequent target of Athenian comedy, wherein the verb "to Spartanize" meant "to bugger." In 300, Greek pederasty is, naturally, Athenian.Yawn. The Spartans' sex practices are nothing new. Almost everyone has heard about them. I haven't seen the film, so I can't comment on its "moral universe" of "special freakhood" but I'm wondering whether the reviewer might be conflating effeminacy and homosexuality. That's a popular stereotype which both the anti-gay and gay activist forces like to evoke for their own ends, but it has little to do with homosexuality in practice. It is certainly true that the stereotype holds for many publicly identifiable ("obvious") gays, because after all, an effeminate gay man stands out. Additionally, effeminate gay men are usually exclusively gay, which the Spartans absolutely were not. In fact, their sexual practices cannot be called gay at all in modern terms, and I doubt those of the Persians could either. I think the reviewer is a modern writer projecting his own biases onto the film. Xerxes and the Persians are effeminate; therefore they are "gay." The Spartans are manly; therefore they are not. This is reflected in a gay-oriented review which (totally missing the point IMO) claims that "queer history is usually downplayed and has often gone missing entirely" and that "for Hollywood, being gay and being a warrior are still antithetical." Queer history? Being gay? These are ridiculous assertions. The Spartans didn't know gay from straight. They just did what they did. No one seems to understand that ancient homosexuality was not only not gay, it wasn't homosexual, as they didn't categorize sexuality that way and didn't have a homosexual-specific taboo. Thus, it is absurd to expect Spartans to see homosexual conduct as modern human activists -- either gay or anti-gay -- see it. (Not a new topic here.) I haven't seen the film, so I can't say it doesn't reflect modern biases. (It probably does, as the Spartan leader apparently calls the Athenians "boy lovers" -- which would have been a very unlikely Spartan slur.) But the idea is entertainment, not historical accuracy. I think that if it were possible to travel back in time and study the Spartans, and an accurate film was made about them, modern audiences would find the whole thing beyond their comprehension. (For starters, by today's standards they worshipped immoral gods -- something modern historians can't begin to understand.) UPDATE (03/15/07): Iranian film director Ardeshir Arian, writing in Pajamas Media, takes serious issue with "300" and maintains that the film is not only historically inaccurate, but it confuses "the ruling class of that era with the vastly different culture of today." His criticisms are quite harsh: ...Obscuring history and slandering a great civilization is an undeniable sin, and an intolerable offense by any standard.There's a lot more. Read it all. posted by Eric on 03.14.07 at 10:38 AM
Comments
what you would have suggested for a Spartan insult that modern viewers would have immediately understood as a Spartan insult?
:) Eric Scheie · March 14, 2007 12:39 PM You are, indeed, correct that the author was conflating homosexuality with femininity. Xerxes was depicted as being soemwhat effete; he was utterly smooth-skinned, adorned from head-to-toe with all manners of gold piercings and chains (even his loincloth was gold-colored), and had stenciled eyebrows and gold eyeliner. The only thing about him that seemed explicitly homosexual was the faint trace of a lisp. And this is more than countered by the fact that... well, I didn't see any men in his tent. The Herodotean tradition suggests that Spartans regarded the Persians as effeminate, correct? This would make sense in the context of the story, given that it is all told in retrospect by a character who never even came into contact with Xerxes himself. It is quite clear that the character is taking artistic license with the story for political reasons. S Wisnieski · March 14, 2007 07:09 PM Xerxes didn't strike me as 'gay', and in fact none of them did, although I & my gf were laughing a little at the homoerotic overtones of the film. But even that was more due to the obvious nods to greek art [as in vases, etc] than anything else. As far as appropriate insults: There was a nasty ancient quote I ran across long ago, where the writer said "may my friends delight in boys, my enemies in girls". Possibly, there weren't taboos about any sexual conduct except the abuse of girls - but I'm sure someone more knowledgeable than I could comment, somewhere? urthshu · March 14, 2007 07:45 PM re: "may my friends delight in boys, my enemies in girls..."
pederast · March 14, 2007 10:58 PM Hunh. I sorta thought it was more due to protecting the virginity of girls than anything else. Some values from antiquity were pretty awful, I guess. 'pederast'? ewww. urthshu · March 15, 2007 08:10 AM I know I'm repeating myself when I say that I find the idea of sex with children morally and personally repellent. However, it should be remembered that the ancients distinguished sex with children from the young man/older man variety. An example was the Roman Emperor Tiberius, who was much detested for his alleged carryings-on with prepubescent children. Whether he really was into that or not is still a subject of debate (as these might have been rumors spread by his enemies) -- but the fact that he was hated for it speaks for itself. Eric Scheie · March 15, 2007 10:24 AM With all due respect, Eric, of course the movie isn't historically accurate. Its source material -- the five-part comic series penned by Frank Miller and Lynn Varley in 1998 -- wasn't historically accurate either, nor was historical accuracy their goal. They wanted a graphic novel that captured the theme of Spartan epic heroism, which is why they're depicted in dress approximating the "heroic nude" versus historically accurate armour. Miller and Varley were never looking to produce something that would out-detail Herotodus. The movie features a giant with lobster-claw appendages instead of hands, for goodness sake... Yet I don't see the Star rushing to have a biologist on record, pointing out that such a creature never existed. Take it all such criticisms with a grain of salt. It's a movie based on a fun comic series. It's not aspiring to scholarly excellence. Chris Taylor · March 15, 2007 12:11 PM Ooops. And feel free to remediate the typo'ed Herodotus in the above comment. =) Chris Taylor · March 15, 2007 12:13 PM Post a comment
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I think the reviewer is a modern writer projecting his own biases onto the film.
Of that, we can be almost tautologically sure ;-).
I haven't seen the film, so I can't say it doesn't reflect modern biases. (It probably does, as the Spartan leader apparently calls the Athenians "boy lovers" -- which would have been a very unlikely Spartan slur.)
I've not seen it either, but your parenthetical aside makes me wonder what you would have suggested for a Spartan insult that modern viewers would have immediately understood as a Spartan insult?
I think, as you suggest, that the refactoring of the Spartans, Athenians, and Persians into their various roles was an unavoidable bow in the direction of mass acceptance by modern viewers. Trying to get across the alien world view of Hellenes and still making them the heroes would have been a lot to expect. Likewise, making the Persians too human would have muddied the waters.
I think, in the end, when you make a movie out of a comic book, you have what you have.